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Đorđe Tomić: All that Folk. Wissenschaftliche Untersuchungen und Repräsentationen der Folk-Musik im (post-) jugoslawischen Raum

Đorđe Tomić
All that Folk. Wissenschaftliche Untersuchungen und Repräsentationen der Folk-Musik im (post-) jugoslawischen Raum
(als pdf-Datei herunterladen)

Abstract
By analyzing the broad research of different types of ‘folk’ music in former Yugoslavia, the paper explores the different forms of interpretation and representations created by scholars in social science and humanities. Tracing back their critique of this music into the socialist period, the analysis offers new insights into the motives and ways of producing meaning by one part of the intellectual elite – for Serbia framed as the ‘second/ other Serbia’ – in the context of political transformation at the end of the 20th century in this region. While hardly any of the analyzed scholarly works on (‘folk’) music was really about music, being instead quite often mainly concerned with its alleged symbolical meaning, most of them used ‘folk’ as a catchy ‘label’ that introduced further analysis of society and/or politics in former Yugoslavia during the 1990s. By criticizing the ‘kitsch’ of ‘folk’ and, at the same time, presenting more or less sophisticated scientific findings on correlations between ‘folk’ and politics, the authors of the works analyzed in this paper mostly underlined their distance to this ‘genre’, thus pointing out their (oppositional) political standpoint, and, especially, by delegitimizing the ‘folk culture’ on the one hand and the new nationalist political setting on the other, they aimed to compensate the loss of cultural capital they used to or – from their perspective – ought to have as representatives of some kind of intellectual vanguard.

Zitation
Tomić, Đorđe (2014): All that Folk. Wissenschaftliche Untersuchungen und Repräsentationen der Folk-Musik im (post-) jugoslawischen Raum. In: Südosteuropäische Hefte 3 (1), S. 131–162.

Persistent Identifier (PID): http://nbn-resolving.de/urn:nbn:de:0168-ssoar-398529

Matthias Thaden: Berichte von der „bauštela duha“. Die kroatische katholische Mission in Berlin zwischen Seelsorge und Identitätsstiftung

Matthias Thaden
Berichte von der „bauštela duha“. Die kroatische katholische Mission in Berlin zwischen Seelsorge und Identitätsstiftung
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Abstract
This paper aims to contribute to ongoing endeavors to investigate organisations by and for working migrants in Germany. It particularly focuses on the Croatian Catholic Mission in West Berlin (HKMB), intending to help further illuminating its work as well as its goals from the late 1960s until the early 1980s. Departing from the assumption that all forms of group belonging are necessarily situational and contextual, identity politics as pursued by the mission shall be scrutinized. Furthermore, the paper investigates fractions and continuities regarding their representation paying close attention to temporal and spatial aspects. The author argues that from the late 1970s onwards the HKMB increasingly sought to articulate something that will be referred to as “Croatian identity in Berlin”. This development has to be understood against the background of both the demographic situation in Berlin as well as of concurrent efforts of the Yugoslav state to address “its” citizens abroad.

Zitation
Thaden, Matthias (2014): Berichte von der „bauštela duha“. Die kroatische katholische Mission in Berlin zwischen Seelsorge und Identitätsstiftung. In: Südosteuropäische Hefte 3 (1), S. 44–66.

Persistent Identifier (PID): http://nbn-resolving.de/urn:nbn:de:0168-ssoar-398096